![]() ![]() ![]() ElyOtto’s remix of “Barbie Boy” sounds like three separate songs, where hooks are unintegrated and build-ups culminate in underwhelming drops. Even Electra’s production finesse can’t pull off a Bach remix of a hyperpop track interjected with sports game announcements and tempo changes, and its gracelessness seems to be done more for the meme than any substantive sonic ambitions. The Johann Sebastian Bach remix of “Edgelord,” while certainly an ambitious crossover of classical composition and internet keyboard warrior culture, is a clunky mess. And not in a boundaries-pushing experimentalism seen in Electra’s previous work, but in a more-is-more-is-still-not-enough disarray. Many of the added tracks-doubling the album’s original length-are unnecessarily experimental takes on already well-executed themes. Nu-metal, saxophones, hyperpop, pitch-toned vocalizers, prototypical pop, classic rock, and countless others become more of an assortment than a deliberate architecture. Though it somewhat advances the original’s exploration, the sheer quantity of influences in My Agenda (Deluxe) begins to obscure Electra’s original artistry. The original record crammed so many genres into a cultural commentary, and the deluxe covers even more conceptual ground-with a staggering 21 total collaborators. My Agenda already commented on and critiqued countless themes in just 25 minutes, Electra references medieval courting, multiple internet subcultures, and the propagandization of LGBTQ rights, among others. Thus far, they have dedicated an entire song to serenading the clitoris, mocked how toxic masculinity emboldens violence and blind career ambition, characturized frat boy culture, and created a furry-filled horrorscape spoofing Alex Jones’ infamous claim that the government is “turning the frogs gay.” Electra’s calculated dedication to camp as a means for investigation is further explored in My Agenda (Deluxe), where they turn exorbitance into an even more ravenous package. ![]() The genderfluid singer-songwriter and performance artist constantly challenges gender norms and our fundamental understanding of identity, all while wielding nearly every genre that exists. These supplements have been the topic of a lot of criticism, namely because they don’t work, but also because they contain things like “lead.” While I’m not a doctor, I’m told “lead” is “bad.” This has been the subject of a thorough debunking by none other than John Oliver:Ĭonspiracy theorists want attention.Dorian Electra’s music may be some of the most anarchic in the industry. It culminates to the real purpose of his video: having a “ 2nd American Revolution Fourth Of July Super Sale” of his supplements. Also, Russia is powerful and great and has a lot of money. The rambling video includes a variety of claims, from the “establishment” (who? we don’t really know) to “globalists” trying to remove Trump from office. I highly suggest it if you’re looking to waste the rest of your night.īut more recently, Jones took to Twitter to reveal a secret plot that liberals have all been hiding for months, if not years: that the Civil War 2.0 will start on July 4th.īREAKING: Democrats Plan To Launch Civil War On July 4th You can easily go down a YouTube rabbit hole of Alex Jones memes. But the truth behind it is much more nuanced and significantly different than the reality people like Alex Jones are trying to create.īut even the remixes of Jones have their own remixes: There is a pesticide called atrazine that can turn male frogs into females. What many people don’t realize though, is like any good pseudoscience, it started out with an ounce of truth. Perhaps most famously, this whole weird thing about putting chemicals in the water that make the freaking frogs gay: There is seemingly no end to the insanity that is Alex Jones. ![]()
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